Read this zine with pictures. We used this Blog post As a guide to writing a copy that would make this comic easier.
cover
Explain coverage that includes paintings of rough illustrations from the illustrations published by the signs. The cover center contains the head text “How do we explain the text (and AI) in” its bubble. Below is the logo of coding in the speech bubble. At the top and bottom of the cap, there are Chinese letters that are translated into “signs”.
Page 1
Painting 1: A drawing inspired by the manga of Jabriel Hongsdosite, a Asian man with short black hair and glasses. He says, “Hello!”
Painting 2: “I am Gabi Hongsdosit, and I am a visual designer in The Markup, a non -profit survey that challenges technology to serve the public good. My job here is to know the best we can use the visual images to tell our stories.”
Pain 3: “Often, we reveal things that cannot be seen with the naked eye.” Below is an eye clarification similar to the manga, with sparkle and obvious eyelashes.
Painting 4:clarification It helps us to connect the unseen … “
Page 2
Painting 1: “Take this story about a registration system in Los Angeles, who decided to obtain a subsidized residence.”
Painting 2: A clarification of a black woman pushes into an expanded box with the seventh number on her. There is a white person walking over the squares with steps in the background. In each box are the scanning questions.
Painting 3: “This illustration of Bian Brigan linked many abstract concepts that did not naturally have pictures:”
Painting 4: The word “racism” is written in a closer picture of the black woman to the previous clarification.
Painter 5: The phrase “access to resources” is written closely to the white person who is on the squares.
Painting 6: The phrase “… and the simple algorithm that affected everything” is written on a close image of one of the squares that show the number seven.
Page 3
Painting 1: “To help people understand our stories, we use four topics and shapes.”
Painting 2: The “hands” text is above the LED clarification, with pressure on the finger and thumb together like a surprise to form a heart shape. There is a small heart icon to float over it.
Painting 3: The head text “humor and pop culture” above an illustration of a distorted cartoon mouse with a pak teeth.
Painting 4: The text of the head “letters” is above an illustrative drawing of a cartoon face with a pie eyes (students are formed like a pie with one slide removed from it) and the eyelashes are clear. The face has a wide button and smile.
Painting 5: The head text “Building the World” is above an illustrative drawing of an open door that leads to a winding road and clouds.
Page 4
Painting 1: “There are no many opportunities for photography when reports on technology.”
Painting 2: The text of the head “gray building in the silicon valley” is above a illustration of the building.
Painting 3: Senator/Tech Aligarch, usually white and a man “above an illustration of a suit and tie.
Pain 4: The “Whistleblower” header that does not want to be photographed “above an illustration of a turtle hidden in its shell.
Painting 5: “Hand shows that people are behind institutions, companies and technologies. Technology is not present without them, which are the decisions made by the people we want to bear.”
Painting 6: Clarification of the gray web browser that displays the hospital gate. A white hand behind it is to pull a tape from the browser and the pill falls from this tape. There is a blue glow behind the browser window edge.
Page 5
Painting 1: “At other times, the topic in our stories is not a visual convincing.”
Painting 2: The head text “user interface model” is above an explanation of four empty fields at the top of the button that says “send”.
Painting 3: The head text “the background symbol” is above an illustrative drawing of the code symbols “<...>.
Painting 4: The text of the “computer servers” is above an explanation of the computer server.
Painting 5: “A direct picture of any of these things will not make you want to click on the story.
Therefore, we often use humor and cultural references to make art interesting. Our focus on technology accountability does not mean that we cannot enjoy. “
Painting 6: An explanation of Italian splashes cars against an evil turtle. The plumber falls behind and contains a low Wi-Fi icon over its head. The turtle before the race has a full Wi-Fi symbol.
Page 6
Painting 1: “Sometimes we integrate digital items into our illustrations and work well.”
Painting 2: Explanation of the browser window cabinet.
Painting 3: Clarify the circular download button, with a higher arrow indicating a three -sided rectangular line.
Painting 4: Clarification of the chat bubble.
Painting 5: Clarify the site pin.
Painting 6: “The illustrations of the browser windows get a real speed. Creating characters helps to stimulate our aesthetics (and like humor, it can make our work more enjoyable and accessible).”
Painting 7: A clarification that shows a black creature that chases the blue index with Gogli’s eyes.
Painting 8: A clarification that shows water drops falling from a faucet and wearing Chatgpt headphones.
Painting 9: An illustration of a square character in the weather application that wears red shoes. There is a closer cabin on its side that shows a red pin out.
Painting 10: A yellow octopus clarification overlooking an abstract structure.
Painting 11: Clarification of a smiling pink vacuum.
Painting 12: Clarification of a confusing personality with a round face, behind the computer screen.
Page 7
Painting 1: “We report a lot about the practices that occur on the screen.”
Painting 2: The text of the head “Take this story about the auctions of digital ads, which occurs over the Internet inside a millimeter”, written on an illustrative drawing of a auction in a lecturer that provides user data in the form of a 3D image of an audience of advertisers.
Pain 3: “The illustrations of topics such as these are often conceptual images. Instead, we used the illustrations to create a new world that helps you see the narration: a crowd of gel bean characters in an underground auction.”
Painting 4: Clarification of a declared personality, the offer of winning. The character wears a badge that shows a pill, purple files and fell asleep.
Painter 5: An close image to shoot a 3D image used with floating icons and a text around the head (“Taylor Swift”).
Painting 6: Explain a remarkable sign that exceeds a deputy image for the advertisement: Tail and purple.
Page 8
Painting 1: “The strength of the clarification is that you are not limited to the material world …”
Painting 2: The text “You can evoke a new circumference that helps in connecting a narration” against a dark background.
Painting 3: Explanation of two people walking on a laptop screen, which includes many people inside it on different screens. The coding logo appears on top.
Painting 4: A clarification of scientists who analyze a wall with boxes of human heads. Some scientists have scraps, while others pick up heads from the shelves.
Page 9
Painting 1: “This approach also applies to artificial intelligence. When we think about clarifying artificial intelligence, robots immediately come to mind …”
Painting 2: Clarifying a robotic hand.
Painting 3: Clarification of a robot similar to anime.
Painting 4: Clarification of a robotic foot.
Painting 5: “But robots block the fact that artificial intelligence is created and used by Human beings“
Painting 6: Clarification of a woman, with her left hand holds her elbow. Next to it there are enlarged glasses showing a close image of X -rays, but the image melts in pixels.
Page 10
Painting 1: “Julian wrote the position, which writes a weekly news message on the visual culture, this point quote:”
Painting 2: “From the abuse of employment that lasts wage in post -colonial places to object to the lives of people and work as” data “to extract rare metals to power that requires increasingly mathematical needs, artificial intelligence does not work on fictional future Utopia but to allocate the materials of the world and human resources today.”
Pain 3: “You can feel that we live at the end of time for artists when we can train in the photos without approval from their creators, evoking new photos within seconds.”
Pain 4: “But our hope is to use the clarification of the contract and decisions they made through artificial intelligence and other forms of responsibility technology.”
Gabriel Hongsdusit, visual designer
correlation
Copies of editing and production
Liberation
As published here
Photography of Brett Jordan on not
